[Sophie]: Hello everyone and welcome to In The Mix.

I’m Sophie and

[Oswald]: I’m Oswald.

If you love music, album breakdowns, and honest opinions, you’re in the right place.

Today we’re going to be talking and breaking down the new Baby Keem album, Casino.

After the five-year break since his last album, The Melodic Blue, this was a very highly anticipated album.

As far as the charts go for this album so far, it’s the top rap and R&B album on the Billboard charts right now, and it’s debuted as number four on the Top 200, with the opening day as 13.8 million Spotify streams.

So it’s been pretty big so far.

Yeah, it’s really crazy.

Yeah.

I know that it’s come in, I think, at third so far, right underneath A$AP Rocky and Don Toliver’s new album, which were both really good, but I mean, I can see why it’s there.

It’s really good.

Yeah, it’s also interesting, too, how he released it.

I knew he was planning on releasing it, so he probably waited a little bit until after maybe that first week of Don’t Be Dumb, and then he released this, too.

I do see artists not try to release at the same time as well, or if they do, it ends up being a competition.

Yeah, that’s true.

First week sells, but then it’s like when artists make something that’s permanent, something like this, where they talk about their lives, talk about a lot of stuff.

Yeah, he really did get pretty deep into it.

I’m not sure much about The Melodic Blue because I haven’t really listened to that past, but I do know that he got a little more deeper into his childhood and kind of growing up, but I know you’ve listened to Baby King more.

What do you think about how does it differ from the past to now?

For sure, and in every album, he’s always the person who has a lot of fun, doesn’t take himself too seriously.

He has those funny voices that he’ll do sometimes.

He won’t shy away at all, even about what he’s talking about sometimes, but this album compared to the other albums, for sure Melodic Blue has a lot of the hits, probably radio hits people recognize if they weren’t already on his first album, but I feel like his second album was a continuation to his first.

I don’t feel like a lot has changed.

It was just consistent.

It was good.

There wasn’t too much layers, but this one does feel like it’s a lot of layers, but again, he doesn’t shy away from having fun with it and making hits.

So you could say more that this new album has been more experimental than his last ones.

He’s kind of kept a consistent sound, but then this time he kind of jumps into different stuff.

Right.

Yeah, and this one took a lot longer than his other ones did, or it was like a hiatus.

He was on top of the world with Melodic Blue, so he had to step back, and he did talk about he was going to talk about his past later, or right now he was just making hits, is what he’s talking about, and it’s like he really did, I feel like, deliver with this one.

Yeah, he really dove deep into his past and everything, but along with that, I think, do you know if it’s true if he’s actually related to Kendrick Lamar?

I feel like it is true, just in a sense of like, even if they’re not like fully blood related, seeing like Keem work on, I know because Keem helped Kendrick even before, like help him make All Damn and everything.

So it was like, on the way they work on music, it’s like they’ll do reference tracks.

They still like really, like, I feel like really try out each other’s ideas and like go for it.

And like, that’s just like almost like brothers making music, you know, like even if they’re not fully related, like I know they grew up around the same neighborhood, and they know some of the same people, like they’ve talked about in some of the songs.

I’ve heard that, and so.

Yeah, so whether they’re actually brothers in real life or not, they’re still like sound brothers, if so.

It says that they are cousins.

Apparently they are second cousins.

First cousins once removed, if so, but yeah, it’s pretty cool.

I mean, they’ve done a lot of features together, but I feel like this feature that, I know Kendrick was on Good Flirts and House Money for this album, and I mean, I prefer Good Flirts than House Money.

I feel like on the House Money feature that he had, it kind of like threw it off a little bit, threw it off balance, but Good Flirts flowed so well.

That’s what I was thinking about too, like even when Kendrick does come on, it’s like he takes over the song.

I mean, it’s Kendrick, you know.

But also like, yeah, I agree, and Good Flirts, I remember Good Flirts being the happy song.

I remember that.

It’s like towards the end, and then so.

Oh yeah, Kendrick does come and like share all these chains or like support the song.

Yeah, definitely.

Along with Kendrick on Good Flirts, I mean, we have Mama Boyd.

She’s from, I learned that she’s from a band with her siblings called Infinity Song, which I think it’s pretty cool that she does that with her siblings, but I think that Good Flirts overall, that song was pretty good.

It was like a switch up.

It flowed well from Birds and the Bees.

Like I think the transition was really good, but I don’t know how well it flowed into House Money.

I can’t remember the specific transition now, but I do know that it was like a good break, like right after Casino and Birds and the Bees.

I think it was a nice R&B, like just chill song.

Yeah, for sure, and he does that a lot where like you go, and I think it’s deliberate, where like you’ll go from a super serious topic to like a fun song to look back to, like I’m Not A Lyricist, and then he goes back to like these more fun songs towards the end, and then the last song is again serious.

So it’s like he really mixed it up.

He really, yeah, he jumped around with the vibes completely here.

It’s not like a like a transitional flow kind of album.

It’s more of like a here’s everything kind of vibe, and then it’s just a whole trail mix kind of thing, but I thought it was pretty good.

Another feature that I really liked is the, I think it’s Chet Ucri or whatever.

I’m not really sure how to pronounce her name, but I know that Dramatic Girl, that was a really good song.

I wasn’t expecting it, honestly, from Baby King.

Like it’s not something that I had specifically heard in his style, but I messed with it.

I feel like it’s going to be a TikTok song.

I’m not going to lie, but I think it’ll be pretty good in a way.

That’s what people talk about.

Like I think it was in Kendrick’s album where the one that, yeah, the one where it was like a long hiatus and he finally came out with the album.

There were some fun songs where like Kendrick, same thing, like they had the ability to still be able to like make TikTok songs.

Like they’re not out of touch with like where music’s at right now.

I feel like some people talk about that or like, yeah, they can both like have that time.

So they’re able to be like creative and still experimental in a way, but still keep up to like the standards of what music is that, which I think is pretty good considering you want both.

You want to still be relevant, but at the same time you want to be creative with yourself.

I also learned that apparently there is a song called 2B exclusive to physical copies, which I don’t have a physical copy of this.

I don’t have a vinyl player or CD, but I guess that there’s one that she’s also, or I think it’s a she, that also has a version of that, so I didn’t know that.

Yeah, and sometimes like the features are like super swell, like blended in there.

That’s like, you know how Keem was making some like some voices here and there.

It’s like it’s hard to know if it’s his Keem or if it is a feature.

I remember distinctly Mambo Boy and like I was thinking about that today.

I was like, no, it’s not Keem, it’s not Kendrick.

So it has to be this new person that I was like for sure I’m gonna check them out as well because they do have some like really like out there features sometimes as well.

Definitely, and I know that there’s some features that aren’t even listed.

Like I had to go to like Genius to look to see because I know like for sure on I’m not a lyricist.

There’s there’s some that like he doesn’t even have listed, which I guess if like somebody’s just doing one verse and that’s that’s fine, I guess, but I like I had the same thing because I know that Keem does a lot of voices.

I was like, oh, is this him or is it not?

And especially like if they’re unlabeled too, but still worked out.

No, it’s cool when you do that, but then when they do that, but then you have to go back and see like I remember when Travis Gough first did that.

I mean, yeah, regardless, I think when I started listening to it, I listened to it like a week later because I had a couple other albums that I was trying to listen to but to start my favorite songs were definitely Good Flirt.

Highway 95 was great and probably Dramatic Girl.

Those are my top three favorites at the time when it came out.

Although I do think that that’s changed a little bit now that I’ve listened to it more.

Like I love the Birds and Bees now.

I think that’s so good.

What do you think about Highway 95 though?

I still really like it.

Honestly, it’s one that at first I was like, oh, this is like, it’s a different kind of vibe and I know that he was getting deep with it too.

Like the stuff he was talking about was like, oh, but he did not shy away from it.

It was so good.

Yeah, no, for real.

Like I remember that song, like it does feel like a hit and I remember Jay’s talking about like he doesn’t even change the flow up.

Like, yeah, it’s like he doesn’t, like I said, again, he doesn’t take himself like as serious.

But like even me, if I want to make a song like that, like in my mind, it would be like I have to change the flow.

I have to change the flow, but like maybe Fakim like doesn’t even cross his mind or just like it’s part of the song.

It was probably a freestyle or you know, it could be different ways, but it’s like when songs are like that, that’s pretty cool.

And it ends up being like a hit because it doesn’t, you know, it’s not too complicated.

It stayed consistent and yeah, you’re right.

It wasn’t too complicated.

So it kind of let the lyrics shine a little bit more and I remember like we had talked about this album before, like a week before and I had listened to it, but I hadn’t really like listened to it and you had said that you listened to it in the car and I was like, okay, I’m going to do that.

And so when I did, I like actually got to sit in process with the lyrics and he totally gets like into his childhood, which I kind of like, I think it was good.

Yeah, I remember writing some, I try to write something about every song, but I remember and there was a certain song that you took yourself like really, really serious.

Like obviously, I’m not a lyricist.

Yeah.

Really want to touch on that one because like the last time that Andre 3000 dropped a verse, at least I was like very, very mainstream was with like with Kanye and it was just like that was two, three years ago, 2022, 2023 around there.

But it’s like the world really needed like Andre 1000 verse.

And he just recently got inducted into the Rock and Roll Hall of Fame.

I think so.

It’s pretty cool that he’s like, I feel like he’s making himself more relevant now.

Yeah, and I was like, like that cool guy that’s just still around, you know?

Yeah, exactly.

And it’s like, you know him, like a cool professor, you know.

Yes.

Yes.

Yeah.

What other ones were your favorites?

For sure, Highway 95 as well.

Circus, I think it was at Circus Freestyle.

Like it was just super outlandish.

So all those are very good songs.

I remember the last song, No Blame, where it was like the whole sound changed again.

And it’s like he finally talks about, like I remember in this listening party, he talks about like, you think I like talking about my mother or something like that?

Or it’s like he was super honest about it.

And like other artists talk about like, not even wanting to be that honest because they feel see-through when they see fans.

Like they realize, like they use their music to like express how they feel and all that.

But it’s like fans sometimes will like, you know, they have to interpret it in a certain way.

But it’s like when they see him, like their fans feel like they know him.

Yeah, he feels a little too exposed in a way.

Yeah, that’s pretty cool.

I hadn’t thought about that.

I thought that the switch up between Dramatic Girl going straight into No Blame was crazy.

It was like two different things.

But I think because of that, it had me more locked in to focus on No Blame because it’s like, whoa, he like changed up the sound completely.

Got to focus in on what he’s talking about.

I feel like on that one too, he really talked about, it was like fully about his mom.

So that was pretty cool to hear.

But also like, oh, he’s really like expressing and dropping it all.

Yeah.

Like he talked about like super specific stuff.

Like when his first album, first great album came out, like his mom was living in a tent.

And it’s just like to expose that.

And I was just like, wow.

It’s like, you know, he talks about a lot.

And it’s just like the honesty and betrayal and all that.

But it’s just like, you know.

Yeah.

I think it’s also kind of cool how he trusts his fans so much now to like be able to release stuff more personal, you know, because I know you had mentioned that he had before just been releasing hits, right?

Like just dropping as much as he can.

But now that he released this album, it’s so much deeper and explores so many like personal topics on his behalf.

And I think the fact that he’s able to trust his fans enough to be able to share that, I think he’s grown to like a good enough following to where he’s like, oh, okay.

Like I know that people won’t go too crazy about it, but it’ll still be good.

And I feel like he has a talent to like still like the people that like don’t really read into the lyrics.

Like I know there’s a lot of people that like, you know, listen to more young boy, more like hype music.

I feel like they could still really enjoy this album still because like Kendrick still has fun with it.

But then he could still have like more, like Kendrick as well, he could still add layers to his album while keeping it fun.

I feel like it’s not like Kendrick can’t do that, but I feel like that’s Keem’s like more strong point.

Kendrick is just like adding even more and more layers to his album.

It was more diverse in that fact that he was able to go from like a very deep, melancholy song, like talking about his childhood, to then jumping into like sex appeal, for example.

Just absolutely, completely different, right?

Super upbeat, super energetic, talking about something completely different.

So I think it’s pretty cool because he did that a couple times, like Highway 95 into like Circus Freestyle, or like even Dramatic Girl too, because that was really good.

But I feel like in any good album, you kind of need that.

You need the diversity and the like almost breaks in between because if you have just like this deep, overbearing album that just drops all your lore, that’s just horrible.

I guess it’s kind of like, oh, it’s a little draining, but he was able to find like a good sweet balance in between.

Yeah, I feel like like back to what I was saying, it’s like some people, like other people don’t, they aren’t as see-through as much as artists are when it comes to like first meeting them.

But no, it’s for sure.

Like, I remember there’s some experts from Under 2000s Verse, and I’m not a lyricist, where he talks about like people jumping from either like their decisions in their past life or like being broke from the casino, like the hype of it.

And then goes right to like Sex Appeal is just like a whole, it’s a complete switch up.

Yeah, the two like big topics and just jumping like straight over with no break in between.

But I feel like it makes those like deeper topic songs kind of stand out a little more because it’s like, oh, yeah, I remember how like, like how we’re talking about it’s like, I remember how deep it was and then you jump straight in to this other transition.

And I feel like it creates a bigger effect because sometimes I’ll like, I know artists will just release like a couple of like, oh, there’s a fun song, fun song, fun song.

And then it’s like just one deep, like really personal one and then oh, fun song, fun song, fun song.

But I think, yeah, I think he definitely found that like sweet balance with it.

I feel like it’s also like it could be like other reasons too, like people’s attention span.

Yeah, like this, this album felt like more like, like it didn’t feel like as much effort to like listen to like Menolik Blues, I feel like because even for me, I’m trying to listen, I listen to the Menolik Blues like after effect as well because it’s not that I wasn’t super hyped over it, but it’s just like I know how to take my time with it.

And this one was more like, like I was, yeah, I’m not going to say any hits, but as well, like talking about his past and yeah, it might be like artists, like this is like a new style of albums, like they want to be more direct.

Like this one doesn’t have like a lot of like those super long outros, super long intros, just like more straight to the point.

Yeah, it’s actually, it’s very similar how you’re saying because we just reviewed A$AP Rocky’s Don’t Be Dumb.

And in that one, there was like skits that he included in the actual songs, right?

And whilst like, it was good, you know, like, oh, okay, you’re able to, because I know other artists like Brent Faiyaz, they like do skits in between their songs.

And it’s like, oh, well, it’s like, I just want to listen to the music.

I’m just going to skip that.

But then A$AP put the skit in between the songs.

So you had to listen to it.

But I feel like he just doesn’t even do that.

He doesn’t.

It’s like you said, it’s a very direct album to where you just get straight into the business.

And he has that good balance in between.

I know that some of the more popular songs were like that I heard and saw like on more posts and stuff.

It’s like Birds and the Bees, Good Flirts and House Money.

I saw House Money a lot on like my social media and stuff and Highway 95.

But I, what songs do you think are going to be more popular like later on?

You know, House Money, for sure.

Like House Money, I feel like was the funnest song to like mosh pit to.

I was like trying to think like, which song do I want to like see in the concert or like be in the concert for?

For sure, House Money.

The stuff I wrote for is just like, like the same edgy theme.

But the way that acapella like goes over Kendrick’s introduction, like where Kendrick comes in with the chorus.

But like, there’s like that soul, that soul sample that comes like right under it at the same time.

It was like pretty unique.

So it’s like the production and and like them together was pretty cool.

I thought, yeah, I agree.

I think that would, it’s going to be like a fun one.

I don’t really go to many concerts, but I do like watching them.

So I think like even just like that, watching a performance, you can tell like which ones are going to get the crowd hype.

And I definitely agree with you.

I think that the House Money is going to be a good one.

And I probably also, I mean, I feel, I mentioned it earlier.

I do feel like Dramatic Girl is going to become a TikTok song just because I can see like, I can see trends going to it.

Now you’re going to start a trend.

Exactly.

Yeah, I think, I mean, it’s a great song.

I think it was a great like way to break up circus freestyle and no blame.

But it’s so, it felt like, it almost felt so girly pop in like the best way.

But like very different than like, say Sex Appeal or Good Flirts.

It just had like a different type of like a beat vibe and like a, like, oh, like prancey skippy kind of vibe.

Like there’s some, yeah, there’s some parts where it sounds like he’s like singing in the shower.

Exactly.

Like no one’s like listening.

He’s just like having the most fun.

And I remember one of the songs, I think it is Dramatic Girl, where it just like sounds super happy.

Sounds like a super whimsical and like, it’s a different sound for him.

Whimsical is the exact perfect word, perfect word for that.

And that’s crazy because like we said, it’s not like anything else that he has specifically in this album.

Like you have more like romantic songs, like Good Flirts, you know, that feel a little more like softer and smoother or like Birds and the Bees, you know, has the same vibe.

But like nothing, nothing that whimsical, skippable, like a pop almost in a way, which I feel like he stayed very consistent to like a R&B type of rap vibe here.

He didn’t really like stray away, didn’t really, I mean, he experimented with a different like sound, you could say, but he still stayed in his same genre, you know.

Yeah, like a different way to do it or like a different energy or unique sample, yeah.

Yeah, which I thought was, I thought was great.

I don’t know very much of Keem, but I do know that this, like as far as this being the only one that I know, it’s pretty good.

I’d rate it pretty high.

I feel like compared to his other works, like you would have to check out his other works.

I feel like this is just like, this is like what he can do.

But also talks about like, again, talks about his past in a way that we never knew.

Like there’s some new stuff about here about his past.

I feel like the whole point isn’t really like, you know, maybe I feel like it’s more about like learning the lessons from his past rather than like knowing too much about like, again, because he did share a lot.

Yeah, I mean, I love that he went that deep with it.

I think, like you said, not a lot of artists recently have like the, I almost want to say bravery in a way to get that personal on their albums now.

And to see like a rapper do that now, it’s really great because to compare it to like, I don’t know, like the other three albums that are up there on the charts, like A$AP Rocky’s, that one was very like showy in a way, it felt just very flashy.

And then Don Toliver’s was just like something to listen in the car, you know.

But this was very like, this is me, this is personal.

I’m sharing all of my past, all of like everything that I have to myself, which I think was something that we needed right now in this year, you know.

I think like when you compare it and put it up there with the other albums, it’s definitely, it stands out.

For sure.

I was reading an article and people were saying that they felt like this one has more songs that they’ll go back to rather than those other two albums, like Don Toliver and especially Don’t Be Dumb, like you mentioned.

Yeah, and that’s crazy because it’s a short album.

Out of all of the, like out of those three albums, it’s only 34 minutes, I think.

So seeing as it has so many that’s like, oh, like I’m going to go back to this one specifically.

It’s pretty good for being a short album.

I’m not sure how his other ones compare to it.

I know that 34 minutes is pretty short, but.

I think it’s interesting too because the rollout was like, there wasn’t a rollout.

It was just like it came out when it came out and like Don’t Be Dumb was like super hyped up.

Yes, exactly.

Don Toliver was pretty hyped up just because of the concept of and where it was recorded, where it was recorded at.

And like he’s at a point in his career where it’s like, people want to check out what he’s doing.

But no, I mean, this is like that’s something different.

And like, I feel like it’s hard to pull it off because he still has love songs in there.

He still has like fun songs in there.

Yes, deep songs.

And it’s just like he still has fun with Kendrick and different features.

Like for me, I was more into rap like I’d never heard it before.

So it’s pretty cool.

I think, yeah, like you mentioned the promo, there was like no promo for it.

And I keep like checking his Instagram page.

And I know that whatever promo he puts up, he deletes it and then starts completely again.

Which I think is it’s a pretty cool concept in itself.

And I know that he also put out a couple of music videos for this one.

I haven’t checked them out, but I do know that he got a couple cameos from some people.

And I think it’s pretty good.

Some albums, like I was a little mad.

I mentioned this in the last episode.

I was a little mad that like Don’t Tap the Glass by Tyler.

I was mad that that had like a lack of promo.

But some albums like this, they don’t need promo because I almost feel like it’s more for like the fans.

Like, oh, if you care enough about like the other stuff that I have, you’ll want to listen to this one.

And yeah, they still have like, again, to like, you can’t avoid Be Where You Came.

I feel like he’s going to play on the radio anyways.

So it’s like, it’s pretty cool.

And it’s like other artists like, I mean, Don Toliver and the other one, Don’t Be Dumb, they’re going to be on the radio as well.

So it’s like, you can’t really avoid it.

But it’s like nowadays, like when artists can pull it off to like for you to listen to their whole album, I feel like it’s a lot.

Because a lot of them will just be like one single.

That’s like, yeah, it takes more now to like for an artist to call your attention, especially if it’s a new artist.

Yeah, exactly.

I was going to say, I don’t know if there was any singles for this one specifically, but I feel like it didn’t really need it.

Like, because the album in itself is going to have you coming back to it.

You don’t have to really like hear it much on the radio to want to go back to it.

But even just like with the features that he has, like Kendrick fans are going to come listen to this because Kendrick’s on it.

And I think that, I mean, that alone draws in a new audience.

But like you said, it’s good.

They’re asking him, what’s your favorite song?

He’s like, I like albums.

He’s like, I can’t just choose a song, I like albums.

Like I want to listen to the whole thing.

Like on the, in the order that it was meant to be.

Like with a record pretty much, people love records.

I feel like this one is one that you don’t necessarily have to put, like just go straight down the line.

You could just shuffle this one and it’d still be like among the same lines as the actual album layout itself.

Because of that like good broad diversity that he has, where it’s like, oh, there are some like softer songs, but then there’s also some like just rap.

So I think that’s, that’s pretty good.

It’s a good album that you can just like have, not only just have one in the background, but also like, ooh, like listen in to the lyrics, focus on it and stuff.

Like you can definitely pull out a good Baby Keem favorite from this one.

Yeah.

And it’s like when they do layers like this as well, like you end up listening to it, like maybe like later down this year and you’ll like pick up something new that’s like from your favorite song maybe.

And like, it will be like something new, like, cause you didn’t hear it like the first couple of listens to it.

But since it’s lyrical as well, it’s pretty cool.

Yeah, I know like this one, when did it release?

Okay.

So like two or three weeks ago, we could say, and just already now, like I was saying, my favorites have changed up just a little bit, but like enough to be like, ooh, I didn’t, I don’t think I appreciated this song as much as I did when it first dropped, you know?

And now looking back, it’s like, oh, it’s one of my favorites now.

Yeah.

And also, I remember reading somewhere like he named the casino because his mother, like with like him being like growing up around the casino, but it’s also like his mother’s addiction to it, talking about like that, like that’s why he named the casino.

And he talked about like him envisioning a city of like, young uncles of like, a bunch of like violence and like all the stuff that’s going on.

But him still being like finding a way out, but like still being involved in it as well, because he’s making the music, I feel like too.

Yeah, I, from what I saw, the album cover is a, it’s a picture of him when he was younger.

But I think the fact that he put the parental advisory, the explicit picture, I think that kind of like, it just makes it more dramatic.

It adds into the fact of like, okay, yes, it’s a baby picture of him.

And he’s talking about his childhood, you know, so it kind of correlates very well like that.

But also the fact that he put the parental advisory stamp so big and broad, while sometimes other artists like hide it or something.

So maybe, maybe that too, is something like some sort of symbolism.

Yeah, no, and he could have gone like a bunch of different ways with the cover as well.

Yeah.

When I first saw Casino, I thought about like, the Weeknd’s album about Casino and that music video.

But like, it’s like he took it almost like a different way as well.

And he still has those like Casino sound effects and all that too, which is pretty fun too.

He could have made it, he could have made it like so flashy and everything.

Because initially, when I heard that it was called Casino, I thought the same thing.

I was like, oh, it’s gonna be flashy.

It’s gonna be like, like, like circusy, you know, or like a casino, like the type of vibes that you get with that.

But then it’s something completely different.

It’s so deep and personal.

And I think that that was also like a really good tactic is the fact that like, oh, your audience thinks that it’s going to be one thing, and then they actually listen to it, and it’s completely different.

And that could be part of like, you wanting to listen to it more because like, you see Baby Kings and it’s like, oh, it has a picture of, you know, not what you expected.

Yeah, exactly.

Which I think is pretty cool.

I mean, considering he didn’t do much promo, you know, I think that like anything like that to keep the audience in like whether it’s album cover, or just having a broad diversity of songs, I think he did.

He did pretty good with it.

He did pretty good with it.

I’m sure he’s pretty cool.

But yeah.

Have you listened to like a lot more Kendrick Lamar songs as well?

Or was it?

I’ve got back into Kendrick like with this last album that he released.

I really liked that one too.

But like, I think that was kind of where I started listening to Baby King was after that.

So I don’t really, I don’t really know too much Baby King.

But I got really excited when I heard that the that this album was coming up because it’s like, okay, this is a good start to get into, you know, a fresh place.

And then I saw the Kendrick was on.

I was like, Okay, yeah, that, you know, makes sense.

So I mean, as a relatively new fan, I would say that it’s, I definitely want to go and look into more of his stuff now.

That’s our thoughts on Casino by Baby Keem.

Let us know if you’ll be listening and what you thought about it or what we might have missed and didn’t catch.

This has been In The Mix and we’ll catch you on the next one.